I’ll be honest, I haven’t kept up with Wire like I should, which is dumb because I’m now just discovering all their ’00s releases and it has been a revelation. That said, when it was announced these post-punk legends were playing a bar in Columbus a few months back, I wasn’t going to pass up the opportunity to see them. My wife agree to go knowing nothing about them other than me dropping the nerdy knowledge that their tune “Three Girl Rhumba” was the basis for the guitar riff in Elastica’s 1990s hit “Connection.”
So, this show was genuinely one of discovery, because aside from the opener “Ahead” and a few other tunes, most of the night was unfamiliar to me, which is not a bad thing. Actually, one of the joys of this show was being able to watch bassist Graham Lewis work his craft, who I would put up there with Peter Hook as being one of the most innovative and distinctive bassists of the post-punk era. Having never seen them live, one thing I took away was how much Lewis up-plucked his picking hand on the strings, which gave his notes a bit more pop and attack.
We left mid-song during the end of the set, and my wife and both remarked how small we felt, having spent the night in the balcony sitting in stools, and then having to make our way to the front door via the first floor crowd. I’m not sure if I’ve started shrinking, but it felt like we were walking through a forest.
Showing posts with label wire. Show all posts
Showing posts with label wire. Show all posts
May 2013: Music & Movies
My pop culture intake for May 2013, with patent-pending two-word reviews:
MUSIC
David Bowie: The Next Day – welcome return
The Strokes: Comedown Machine – letdown machine
(London) Suede: Bloodsports – sporting attempt
Chelsea Light Moving: Chelsea Light Moving – familiar territory
Wire: Change Become Us – always interesting
Daft Punk: Random Access Memories – acceptable funkiness
MOVIES
Iron Man 3 – bounced back
Star Trek Into Darkness – solid entry
Brief Interviews With Hideous Men – Mamet lite
Behind the Candelabra – stellar performance
The Art of the Steal – disgusting behavior
MUSIC
David Bowie: The Next Day – welcome return
The Strokes: Comedown Machine – letdown machine
(London) Suede: Bloodsports – sporting attempt
Chelsea Light Moving: Chelsea Light Moving – familiar territory
Wire: Change Become Us – always interesting
Daft Punk: Random Access Memories – acceptable funkiness
MOVIES
Iron Man 3 – bounced back
Star Trek Into Darkness – solid entry
Brief Interviews With Hideous Men – Mamet lite
Behind the Candelabra – stellar performance
The Art of the Steal – disgusting behavior
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