This week in music listening, featuring patent-pending two-word reviews:
Peter Gabriel: Up – anti-commercial brilliance
Cabaret Voltaire: Code – dancy darkness
Yngwie Malmsteen: The Seventh Sign – expert wankery
Mudhoney: Since We’ve Become Translucent – slowed punk
Jetboy: Feel The Shake – barroom dirty
Mercury Rev: Snowflake Midnight – innovative soundscapes
Sloan: Parallel Play – some filler
David Usher: Strange Birds – melodically challenging
Pretty Boy Floyd: A Tale of Sex, Designer Drugs, and the Death of Rock n Roll EP – quick sleaze
Radio Birdman: Radios Appear – primitive beats
Sleater-Kinney: The Woods – psychedelic punk
Cinderella: Still Climbing – satisfying diversity
Butch Walker: Sycamore Meadows – intimately intense
Parliament: Funkentelechy Vs. the Placebo Syndrome – peak Parliament
The Posies: Failure – uneven output
Saigon Kick: Devil in the Details – bizarre oddities
Showing posts with label pretty boy floyd. Show all posts
Showing posts with label pretty boy floyd. Show all posts
This Week In Music: 6/18-6/24
This week in music listening, featuring patent-pending two-word reviews:
Monster Magnet: Mastermind – robust stoner
Silkworm: Italian Platinum – bombastic indie
Pretty Boy Floyd: Size Really Does Matter – garage glam
Mike & The Mechanics: Beggar On A Beach Of Gold – forgettably dull
Juliana Hatfield: God’s Foot – lost gems
Watershed: Fifth of July – refined power
Watershed: The More It Hurts, The More It Works – blistering cuts
Watershed: Three Chords and a Cloud of Dust, Vol. 2 – hit-filled set
Watershed: Brick and Mortar – energetic return
HiFi Handgrenades: Carry On – quick bursts
Sponge: New Pop Sunday – missed opportunity
Soul Asylum: Made to Be Broken – jagged energy
The Smashing Pumpkins: Oceania – second rate
Redd Kross: Third Eye – sugary sweet
Glen Hansard: Rhythm And Repose – quiet intensity
Fiona Apple: The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do – familiar ground
Rush: Clockwork Angels – heavier licks
The Go! Team: B-Sides & Rarities – bouncy mixture
The Wannadies: Before & After – catchy pop
Tom Petty and the Heartbreakers: She’s The One – solid songs
The Mighty Mighty Bosstones: Pay Attention – overly long
Monster Magnet: Mastermind – robust stoner
Silkworm: Italian Platinum – bombastic indie
Pretty Boy Floyd: Size Really Does Matter – garage glam
Mike & The Mechanics: Beggar On A Beach Of Gold – forgettably dull
Juliana Hatfield: God’s Foot – lost gems
Watershed: Fifth of July – refined power
Watershed: The More It Hurts, The More It Works – blistering cuts
Watershed: Three Chords and a Cloud of Dust, Vol. 2 – hit-filled set
Watershed: Brick and Mortar – energetic return
HiFi Handgrenades: Carry On – quick bursts
Sponge: New Pop Sunday – missed opportunity
Soul Asylum: Made to Be Broken – jagged energy
The Smashing Pumpkins: Oceania – second rate
Redd Kross: Third Eye – sugary sweet
Glen Hansard: Rhythm And Repose – quiet intensity
Fiona Apple: The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do – familiar ground
Rush: Clockwork Angels – heavier licks
The Go! Team: B-Sides & Rarities – bouncy mixture
The Wannadies: Before & After – catchy pop
Tom Petty and the Heartbreakers: She’s The One – solid songs
The Mighty Mighty Bosstones: Pay Attention – overly long
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