He doesn’t know it, but Glen Hansard and I go way back. Back in my college radio days at WFAL, we received an album in the Fall of 1995 called Fitzcarraldo by a band called The Frames DC.
I didn’t understand what the “DC” meant, maybe they were from the District of Columbia? Wrong on that account. Turned out they were an Irish band and there was already an American band with that name, so the DC was added to avoid confusion. Good enough.
The album struck a chord with me right way, songs like Angel at My Table, Monument and Say It To Me Now were quick favorites that I’d spin on shifts and pester friends about. But there was no info, no other releases that I could find (at the time), and the band seemed like an anomaly. Little did I know that thirteen years later, I’d see the lead singer step out on a stage with only an acoustic guitar and belt out a solo rendition of Say It To Me Now without a microphone.
Yes, you read that right, he sang it, or rather, screamed it at the top of his lungs like his life depended on it to a captive audience, all the while pounding on his well-worn acoustic guitar. It was a fantastic sight to take in.
The Swell Season, touring on the soundtrack for the independent film Once that starred Hansard and his bandmate Markéta Irglová. Although the set focused mainly on album material, songs that would make up their 2009 release Strict Joy were also included, as well as a Van Morrison cover.
SETLIST
Say It To Me Now
Falling Slowly
The Moon
When Your Mind’s Made Up
I Have Loved You Wrong
Leave
Astral Weeks
Happiness
Low Rising
Lies
Red Chord
Encore:
The Hill
If You Want Me
Blue Shoes
War Pigs
Fitzcarradlo
People Get Ready
This Week In Music (4/23-4/29)
This week in music listening, featuring patent-pending two-word reviews:
Radio 4: Gotham! – uneven dancepunk
Pete Townshend: Deep End Live! – interesting takes
Superchunk: Cup of Sand – mixed bag
Sloan: The Double Cross – more awesomeness
Genesis: Foxtrot – still cooking
Samiam: Astray – melodic punk
Tiara: B-Sides & Rarities – unknown gems
Hot Snakes: Automatic Midnight – angular anger
The Go! Team: Thunder, Lightning, Strike – unabashed fun
The Flaming Lips: The Flaming Lips and Heady Fwends – mostly forgettable
Jack White: Blunderbuss – missing riffs
The War On Drugs: Future Weather EP – interesting grooves
Thomas Jefferson Slave Apartments: Bait & Switch – DIY punk
Brad: United We Stand – strong effort
Nathan Westwood: Piano Bed – delicate charms
Winger: In the Heart of the Young – poppy metal
Quiet Riot: Condition Critical – follow-up failure
Tom Petty and the Heartbreakers: Mojo – bluesier Petty
Moviola: The Year You Were Born – jangly lo-fi
Counting Crows: Underwater Sunshine (or what we did on our summer vacation) – dull covers
Struck By Lightning: True Predation – predictably screamy
Torche: Harmonicraft – blazing brilliance
Radio 4: Gotham! – uneven dancepunk
Pete Townshend: Deep End Live! – interesting takes
Superchunk: Cup of Sand – mixed bag
Sloan: The Double Cross – more awesomeness
Genesis: Foxtrot – still cooking
Samiam: Astray – melodic punk
Tiara: B-Sides & Rarities – unknown gems
Hot Snakes: Automatic Midnight – angular anger
The Go! Team: Thunder, Lightning, Strike – unabashed fun
The Flaming Lips: The Flaming Lips and Heady Fwends – mostly forgettable
Jack White: Blunderbuss – missing riffs
The War On Drugs: Future Weather EP – interesting grooves
Thomas Jefferson Slave Apartments: Bait & Switch – DIY punk
Brad: United We Stand – strong effort
Nathan Westwood: Piano Bed – delicate charms
Winger: In the Heart of the Young – poppy metal
Quiet Riot: Condition Critical – follow-up failure
Tom Petty and the Heartbreakers: Mojo – bluesier Petty
Moviola: The Year You Were Born – jangly lo-fi
Counting Crows: Underwater Sunshine (or what we did on our summer vacation) – dull covers
Struck By Lightning: True Predation – predictably screamy
Torche: Harmonicraft – blazing brilliance
Labels:
2012,
brad,
counting crows,
genesis,
hot snakes,
moviola,
music,
pete townshend,
radio 4,
samiam,
sloan,
struck by lightning,
superchunk,
the go! team,
the war on drugs,
tiara,
torche,
two-word reviews,
winger
Concert Review: The Tragically Hip @ the Newport Music Hall (7/20/00)
For a Tragically Hip fan as myself, the setlist below is pretty good. New stuff mixed with old favorites, can’t complain. Unfortunately, except for the last song, I missed the entire thing.
The show was to be a date with a girl whose name I can remember, with a stop at WG Grinders (romantic, eh?) just down the street prior to the start of the concert. Doors were at 7:30, so with a the opening act probably going on around 8pm, and the Hip going on sometime around 9, we figured we could get there just before the Hip played and avoid standing around.
We hung out at Grinders and ate, and when the time came walked down to the Newport. As we entered, I heard the strains of the Hip from the stage and realized they had already started. I quickly realized what song they were playing, New Orleans Is Sinking, which struck me as odd considering that was usually a set-ender. And then the set ended.
Turns out, there was no opener. The band went on promptly at 7:30 and were finishing their set. I’m not sure what compelled them to play so early, as most bands finished up around 11pm at the Newport, but not in this case.
Of the many Hip shows I’ve been to over the years, this was, without a doubt, the shortest.
SETLIST
My Music At Work
Chagrin Falls
Courage (For Hugh Maclennan)
Opiated
Fireworks
Sharks
Springtime In Vienna
Long Time Running
Puttin’ Down
Gift Shop
Lake Fever
Poets
Wheat Kings
Train Overnight
At The Hundredth Meridian
Freak Turbulence
Flamenco
New Orleans Is Sinking
The show was to be a date with a girl whose name I can remember, with a stop at WG Grinders (romantic, eh?) just down the street prior to the start of the concert. Doors were at 7:30, so with a the opening act probably going on around 8pm, and the Hip going on sometime around 9, we figured we could get there just before the Hip played and avoid standing around.
We hung out at Grinders and ate, and when the time came walked down to the Newport. As we entered, I heard the strains of the Hip from the stage and realized they had already started. I quickly realized what song they were playing, New Orleans Is Sinking, which struck me as odd considering that was usually a set-ender. And then the set ended.
Turns out, there was no opener. The band went on promptly at 7:30 and were finishing their set. I’m not sure what compelled them to play so early, as most bands finished up around 11pm at the Newport, but not in this case.
Of the many Hip shows I’ve been to over the years, this was, without a doubt, the shortest.
SETLIST
My Music At Work
Chagrin Falls
Courage (For Hugh Maclennan)
Opiated
Fireworks
Sharks
Springtime In Vienna
Long Time Running
Puttin’ Down
Gift Shop
Lake Fever
Poets
Wheat Kings
Train Overnight
At The Hundredth Meridian
Freak Turbulence
Flamenco
New Orleans Is Sinking
This Week In Music (3/26-4/1)
This week in music listening, featuring patent-pending two-word reviews:
Brassy: Got It Made – fun beats
Ape Machine: War to Head – blistering riffs
Sloan: Action Pact – mellower Sloan
Queensryche: Empire – digestible prog
Thunder Express: We Play for Pleasure – acceptable riffage
Rush: A Farewell to Kings – evolving progressions
Silkworm: It’ll Be Cool – off-kilter rock
Talk Talk: The Party’s Over – epic synth-pop
Sultans: Shipwrecked – unpolished bursts
Brassy: Got It Made – fun beats
Ape Machine: War to Head – blistering riffs
Sloan: Action Pact – mellower Sloan
Queensryche: Empire – digestible prog
Thunder Express: We Play for Pleasure – acceptable riffage
Rush: A Farewell to Kings – evolving progressions
Silkworm: It’ll Be Cool – off-kilter rock
Talk Talk: The Party’s Over – epic synth-pop
Sultans: Shipwrecked – unpolished bursts
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