Showing posts with label 2013. Show all posts
Showing posts with label 2013. Show all posts

Reuben Tour of Columbus – Dale’s Deli (Downtown)

Having just started working downtown, I’m now able to check out many of the downtown deli’s that I could never make it to on the weekends or in the evenings as the tended to close by the afternoon. Just so happens that Dale’s Deli is right around the corner from the new office, so I took a stroll over recently to check out what my new co-workers have been raving about.



Here’s the scorecard:

Corned Beef – good cut, generous amount
Sauerkraut – okay amount, not overly generous
Swiss Cheese – melted just right
Thousand Island – well-proportioned and tasty
Rye Bread – rye flavor was underwhelming, almost could have been wheat

I’m scoring Dale’s Deli at 3.5 out of 5. Not bad, but I deducted 1/2 a point for the bread and sauerkraut, and other 1/2 for the overall side of the sandwich, which felt a bit small compared to most deli reubens I’ve had.

Two Word Reviews, Fall 2013

After a long break, my patent-pending two word movie and music reviews are back for the holiday season. Enjoy.

Movies
Don Jon – impressive debut
10 Years – predictably predictable
Catching Fire – super sequel
That Guy… Who Was In That Thing – interesting insight
The Perks of Being a Wallflower – mature take

Music
Editors: The Weight of Your Love – needs editing
Free Energy: Love Sign – more liked
Helmet: The Instrumental Music of Helmet 1992-1997 – something’s missing
Yeah Yeah Yeahs: Mosquito – doesn’t bite
Frank Hannon: Six-String Soldiers – riffs saluted
The Knife: Shaking the Habitual – owe Eno
!!!: Thr!!!ER – not thrilling

July 2013: Music & Movies

My pop culture intake for July 2013, with patent-pending two-word reviews:

MOVIES
Premium Rush – premium entertainment
This Means War – meaningless conflict
Dredd – bloody entertaining
Trouble with the Curve – troubled writing
Resident Evil: Retribution – acceptably awful

June 2013: Movies & Music

My pop culture intake for June 2013, with patent-pending two-word reviews:

MUSIC
Black Sabbath: 13 – classic updated
Primal Scream: More Light – more goodness
The National: Trouble Will Find Me – continued refinement
Tricky: False Idols/Matter of Time EP – slow jamz
Trooper: Trooper – wizardly riffing

MOVIES
Moonrise Kingdom – average Anderson
The Numbers Station – solid thriller
Abraham Lincoln: Vampire Slayer – stupid fun
Seeking A Friend For the End of the World – shockingly deep
The Amazing Spider-Man – not amazing
Pitch Perfect – perfect popcorn

Interview with Columbus Alive for Power Ballad

The folks at the Columbus Alive were kind enough to invite me to sit down for a Q&A session about Power Ballad, the Power Ballad Podcast and my other podcast, Dig Me Out. Big thanks to Jesse Tigges and Meghan Ralston. Here's an excerpt:

"I was big into making iTunes playlists and … decided to make a power ballad playlist. It was 40 or 50 songs, but I thought there’s got to be more. So I went to Amazon and looked up “VH1 power ballad compilation.” I was looking at it and they weren’t all power ballads. “First of all that song is fast, how could it be a power ballad? That’s a Celine Dion song. What is going on here?!” I did more research because it sort of irked me this was out there. I realized there have been no criteria ever set — nobody ever said what a power ballad is. The first chapter explains why I did this — undertook this thing that no one was really asking for — and explaining what the actual criteria was for judging a power ballad."

May 2013: Music & Movies

My pop culture intake for May 2013, with patent-pending two-word reviews:

MUSIC
David Bowie: The Next Day – welcome return
The Strokes: Comedown Machine – letdown machine
(London) Suede: Bloodsports – sporting attempt
Chelsea Light Moving: Chelsea Light Moving – familiar territory
Wire: Change Become Us – always interesting
Daft Punk: Random Access Memories – acceptable funkiness

MOVIES
Iron Man 3 – bounced back
Star Trek Into Darkness – solid entry
Brief Interviews With Hideous Men – Mamet lite
Behind the Candelabra – stellar performance
The Art of the Steal – disgusting behavior

April 2013: Music & Movies

MUSIC
Guided By Voices: English Little League – familiar territory
Atoms for Peace: Amok – glitchy goodness

MOVIES
The Queen of Versailles – disgusting excess
What To Expect What You’re Expecting – expected stupidity
Rock of Ages – unwatchable schlock
John Carter – entertaining adventure
Jeff, Who Lives At Home – uneven oddness
Total Recall (2012) – decent revision

Power Ballad Book Update 4/29/13

Well, after over three years, multiple rewrites and numerous title changes, the book is finally done and available! You can pick it up at Amazon.com in paperback and as a Kindle ebook.

My friend, former bandmate and Dig Me Out Podcast co-host Jason Dziak handled the artwork, and it turned out great.



I'm A Guest! Hear Me Talk 90s Albums on The Andy Derer Show

Last year, Andy Derer of The Andy Derer Show podcast stopped by the Dig Me Out Podcast to chat about the album Copper Blue by Sugar. Recently, Andy had me on his podcast to talk about five 1990s album you may not have heard, but need to.

UPDATE: Andy is off Podbean, but has moved all of his episodes to Archive.org. Here's a direct link to the episode.

March 2013: Music & Movies

This month in music listening and movie watching, with patent-pending two-word reviews:

MUSIC
Black Rebel Motorcycle Club: Specter At The Feast – not bountiful
Son Volt: Honky Tonk – surprising simplicity
Nick Cave & The Bad Seeds: Push The Sky Away – bad goodness
The Flaming Lips: The Terror – hookless weirdness
The Pilgrims: It’s Not Pretty – fun rock

MOVIES
Jiro Dreams of Sushi – unreal dedication
Argo – unrelenting tension
Wrath of the Titans – unrelenting ridiculousness
Visioneers – uneven dystopia
Friends With Kids – NYC-centered familiarity
Project X – bacchanalian bullshit
The Cabin in the Woods – fun ride

Reuben Tour of Columbus – Mark Kelley’s (Dublin)

I’ve lived in Dublin, Ohio for over six years, yet somehow had not made it to Mary Kelley’s Restaurant and Pub, which is not only famous for their variety of Irish dishes, but most notably for their dessert selection, specifically their massive slices of pie. But this isn’t a pie tour, it’s a reuben tour, so I’ll get to the review.



Here’s the scorecard:

Corned Beef – good cut, decent amount, not overwhelming
Sauerkraut – proper amount
Swiss Cheese – melted but not overflowing
Thousand Island – light, didn’t taste much of it, could have used more
Rye Bread – instead of traditional rye, two massive slices of Rubschlager pumpernickle

Mary Kelley’s scores a 4.5 out of 5. I would have preferred a little bit more thousand island for the added flavor, but this is a damn fine sandwich, and it’s huge to boot.

Retro Review: Firefly

Recently I revisited the lone season of the Joss Whedon created space western drama, Firefly. The series aired on Fox in 2002 and 2003, lasting only 14 episodes.

I discovered Firefly via the 2005 movie Serenity, which I saw many years after release thanks to the Filmspotting podcast. Nathan Fillion’s captain Malcolm “Mal” Reynolds was the closest anyone had come to capturing the spirit of Han Solo from Star Wars, and since I pretty much grew up watching Star Wars on repeat for several years of my childhood, anything drawing on that for inspiration was worth checking out.

It took a few years, but I finally got around to Firefly, and I’m glad that I did. Is the “space western” a bit hard to swallow? Sure, but in the context of the show, where young “terraformed” planets resemble the Wild West both in a physical and cultural sense, it’s logical. What really makes Firefly works is Whedon’s snappy dialog and interaction between the characters.

At times, the show walked the line between fun and camp, especially in some of the action sequences which didn’t seem particularly well done, though that may have been due to the tv-sized budget, a problem that did not impact Serenity. Overall, the series and Whedon made me want to revisit this show, and I was disappointed I only had the 14 episodes to check out.

If Netflix can bring back Arrested Development, maybe they can do the same for Firefly. Dare to dream…

February 2013 Movies

February movie watching with patent pending two-word reviews:

Inside Job – frustratingly honest
Battleship – woefully generic
Chronicle – fresh take
Safety Not Guaranteed – endearingly funny

This Week In Music: 2/11-2/17

This week in music listening, with patent-pending two-word reviews:

My Bloody Valentine: m b v – worthy follow-up

(Busy week, but really, MBV deserved their own week after all this time)

This Week In Music: 1/28-2/3

This week in music listening, with patent-pending two-word reviews:

Camper van Beethoven: La Costa Perdida – weirdly mature
Bad Religion: True North – happily familiar
Guided By Voices: Down By The Racetrack EP – off kilter
The Cure: Japanese Whispers – solid collection
Dream Theater: Images & Words – heartfelt virtuosity
Pink Floyd: Masters of Rock – very British
T.Rex: Prophets, Seers and Sags-The Angels of Ages – strange folk
Pete Townshend: Pyschoderelict (Music Only) – better version
Pete Townshend: The Lifehouse Chronicles – too much

Retro Review: Party Down

Party Down lasted two seasons on the Starz network in 2009 and 2010, although there are rumors of a movie in the future. The cast was a who’s who of comedy talent: Adam Scott (currently of Parks and Recreation), Jane Lynch (of Glee and movies like Role Models and The 40 Year-Old Virgin), Lizzy Caplan, Ken Marino (of The State), Martin Starr and more, including some excellent guest stars like Steve Guttenberg and June Diane Raphael.

The show specialized in the sort of awkward, real life comedy that traces back to shows like The Office (moreso the earlier seasons), Curb Your Enthusiasm and The Larry Sanders Show, in this instance focusing on a group of caterers in the Los Angeles area who all happen to have some connection to Hollywood (the failed actor, the wannabe sci-fi writer, the up-and-coming comedian, etc.).

Even though each episode is self-contained, based on around a different catering job each week, the show is able to build the characters and relationships enough each week to make each episode strong as both a stand alone half-hour and a continuing narrative. The fact that Adam Scott, playing former beer pitchman Henry whose career has tanked, is so effective at playing broken and sarcastic without being abrasive provides the emotional core of the show, and a perfect counterbalance to Ken Marino’s overly positive but fragile team leader Ron.

Rumor is a Party Down movie is happening sometime in the future. I’m not sure an hour and half to two hours is the right format for this humor, it works well in short, self-contained bursts, but I trust the talent involved to make it work.

Retro Review: Get A Life

Get A Life aired for two season on Fox from 1990 to 1992, starring Chris Elliott as Chris Peterson, a 30-year old paperboy who lived in an apartment above his parents’ garage.

I vaguely remember watching this show when it was originally on, and I guarantee I didn’t understand the humor then. It’s what I heard someone call “sophisticated-stupid,” or maybe I think I heard someone call it that. There is biting, smart commentary on everything from the state of media and television, violence in popular culture, celebrity culture and the shifting demographics of the 1980s involving white male dominance of society combined with painfully obvious attempts at sitcom humor that had grown so stale.

By no means is Get A Life perfect or even entirely successful, but it is fascinating to watch. Chris Elliott’s particular brand of humor is unique unto him and him alone, the same way Andy Kaufman or Larry David basically created their own universe for them to occupy.

This Week In Music: 1/14-1/20

This week in music listening, with patent-pending two-word reviews (note: limited week due to studying):

The Kills: B-sides & Rarities – interesting nuggets
Pink Floyd: The Wall – deserved classic
Pink Floyd: The Early Pink Floyd Singles – early oddballs
T.Rex: Electric Warrior – groovy groovers
The Cure: The Head on the Door – poppy goth
Mr. Big: Lean Into It – classic rock

Retro Review: The Larry Sanders Show

The Larry Sanders Show aired for six seasons on HBO from 1992 to 1998, starring Gary Shandling as the title character, along with Rip Torn as Artie and Jeffrey Tambor as Hank Kingsley, along with a variety of other notable actors such as Jeremy Piven, Janeane Garofalo, Wallace Langham, Scott Thompson and Bob Odenkirk.

Revisiting The Larry Sanders Show was odd, as the show felt very familiar without having much, if any, previous exposure to it, and it occured to me the single-camera “behind the scenes” aspect of the show that was unique at the time has been copied by numerous television comedies in the 2000s after the multi-camera format dominated the 1970s and 80s. Even the aspect of having celebrities appear as versions of themselves has been replicated on shows like Curb Your Enthusiasm and Extras, both HBO shows.

Like Curb, The Larry Sanders show, albeit in lesser doses, worked the uncomfortable comedy angle throughout the series, often in Larry’s interactions with his staff and various celebrities, appearing as exaggerated versions of themselves, who guested on the show within the show. That’s part of what makes The Larry Sanders show so unique, is that in most cases, the fake movie that’s being made in movie, or book that is being written, are terrible. In the case of The Larry Sanders talk show, thanks to Gary Shandling’s own experience guest hosting The Tonight Show, the authenticity comes through in both the humor and subtle interactions between guests and show characters.

As is often the case, two of the support cast, in this case Rip Torn and Jeffrey Tambor, deliver some of the best lines and funniest moments of the show, whether it’s Torn’s Artie fearless and foully defending Larry and the show, or Tambor’s Hank utterly obnoxious self-important whining and scheming. Hank’s “Hey Now” catch phrase which extend beyond the show, becoming an oft-heard audio drop on the Howard Stern Show to this day.

While some of the mid-to-later season seemed to run into episodes or story arcs that ran out of steam quickly (like Larry marrying Roseanne Barr), the fresh and original behind-the-scenes take makes the show rewatchable to this day. Minus, of course, some of the dated fashion and cultural references, though points for dropping the name Afghan Whigs during a music discussion.
This week in music listening, with patent-pending two-word reviews:

Kowloon Walled City: Container Ships – punishing post-rock
Pink Floyd: Dark Side of the Moon – epic landscape
Pink Floyd: Delicate Sound of Thunder – stadium postcard
Pink Floyd: The Division Bell – lesser simulation
Pete Townshend: Rough Mix – more oddities
Freedom of Choice compilation – interesting interpretations
T.Rex: A Beard of Stars – uneven nuggets
Quiet Riot: Terrified – terrible riot
The Cure: The Cure – heavy goth
The Cure: Faith – good goth
The Black Keys: Rubber Factory – big bounce
The Black Keys: Thickfreakness – gritty sludge
The Kills: The Last Goodbye EP – quieter side
Quiet Riot: Rehab – limping riffs
Dream Theater: Falling Into Infinity – infinite innovations